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Autel chases boltanski howard

In Boltanski's –87 work Autel de Lycée Chases (which means “Altar to the Chases High School”) enlarged photographs of children are hung over a platform . Handbook Entry. Memory, mortality, and trauma, particularly as they pertain to the Holocaust, are central themes in Christian Boltanski's work, as is the tension. Often titled ''Autel de Lycee Chases'' (''Altar to Chases High School''), these works use images taken from a class picture of students at a.

The contemporary French artist Christian Boltanski (born ) has turned repeatedly to the altars (as in the Autel Chases mentioned earlier). .. Richard. Howard. London: Vintage Press. First published () as La Chambre claire. Agents of Death1 Barthes, Boltanski and Post-mortem Photography David .. Holiday', 'The Reserve of Dead Swiss' and 'Autel de Lycée Chases' (Fig. Barthes, R. () Camera lucida: reflections on photography, Richard Howard ( tr.). The French artist Christian Boltanski, for example, has been FIG. Christian Boltanski,. Autel Lycée Chases. (Altar of .. Richard Howard. New York: Hill,

with Christian Boltanski, in front of the artist s work: Autel Chases, Photographs, .. Howard Ben Tré, American, born Column 23, Cast glass with copper. 5 Christian. Boltanski, Autel Chases,. , mixed media. . graphy, transl. by Richard Howard, New York, Hill and Wang, 8 Günter Metken,. «Was wir. Christian Boltanski, Autel De Lycee Chases 81 (Altar to Chases High School) , , in Michael Jennings, Howard Eiland and Gary Smith, eds Walter.

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